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DTSTART;TZID=America/Los_Angeles:20170110T210000
DTEND;TZID=America/Los_Angeles:20170110T233000
DTSTAMP:20260429T003341
CREATED:20161229T224239Z
LAST-MODIFIED:20161229T224239Z
UID:1722-1484082000-1484091000@uptownnightclub.com
SUMMARY:Active Music: Ishcted\, Amendola Trio & Fibers+Gargantius Effect
DESCRIPTION:Active Music Series Presents:  \nI SHOULD HAVE CUT THE EYES DIFFERENT \nScott Amendola Trio \nFibers + Gargantius Effect \n—————————————– \n9:00 PM doors. 9:30 PM music. \nSuggested donation $5-15 \nI SHOULD HAVE CUT THE EYES DIFFERENT \ncut wrong from unequal parts of the new music\, noise\, and electronic music underground–I SHOULD HAVE CUT THE EYES DIFFERENT features Thomas Day (Hans Grüsel’s Krankenkabinet)\, Matt Ingalls (sfSound)\, and Jake Rodriguez (bran(…)pos) performing the electro-acoustic soundtrack to that creep in your closet. \nhttps://www.youtube.com/watch?v=RtwsKJP92sQ \nScott Amendola Trio \nScott Amendola (on drums/percussion/electronics)\, Jason Hoopes (electric bass)\, Karl Evangelista (electric guitar) \nFor Scott Amendola\, the drum kit isn’t so much an instrument as a musical portal. As an ambitious composer\, savvy bandleader and capaciously creative foil for some of the world’s most inventive musicians\, Amendola applies his wide-ranging rhythmic virtuosity to a vast array of settings. His closest musical associates include guitarists Jeff Parker\, Nels Cline and Charlie Hunter\, Hammond B-3 organist Wil Blades\, ROVA saxophonist Larry Ochs\, and Tin Hat clarinetist Ben Goldberg\, players who have each forged a singular path within and beyond the realm of jazz. \nhttp://www.scottamendola.com/presskit/index.html \nFibers + Gargantius Effect \nThe Gargantius Effect is the brainchild of Murray Campbell (violin\, oboe and electronics) and Randy McKean (reeds). Like the Stanislaw Lem story of the same name\, in which armies of warring soldiers are linked together to form a peaceful\, blissfully-aware omni-mind\, so\, too\, these longtime collaborators and Nevada County natives transform the connections and crossfires of the various genres in which they usually find themselves—the Euro-café of Beaucoup Chapeaux\, Balkan swing of Chickenbonz\, chamber jazz of Bristle—into scintillating bits of free improvisation\,compositional constructs and mechanized mayhem. \nFibers is the electroacoustic noise of Wes Steed (electronics) and Kevin Corcoran (percussion)\, an ongoing project split geographically between Sacramento and San Francisco. These duos join in quartet to create an improvised sonic atmosphere of textures and tones ducking and darting\, swelling and settling\, in an intriguing meeting of instrumental timbres. \nhttps://norcalnoisefest.bandcamp.com/track/wes-steed-co-sacramento \nActive Music Series \nThe Uptown Nightclub \n1928 Telegraph\, Oakland \n9:00 PM doors. 9:30 PM music. \nSuggested donation $5-15 \nactivemusic.wordpress.com
URL:https://uptownnightclub.com/event/active-music-ishcted-amendola-trio-fibersgargantius-effect/
LOCATION:The Uptown Nightclub\, 1928 Telegraph Ave \, Oakland\, CA\, 94612\, United States
CATEGORIES:Avant Garde,Concerts,Experimental,Live Performance
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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20161213T210000
DTEND;TZID=America/Los_Angeles:20161214T000000
DTSTAMP:20260429T003341
CREATED:20161201T063116Z
LAST-MODIFIED:20161201T063116Z
UID:1667-1481662800-1481673600@uptownnightclub.com
SUMMARY:Active Music Series: Ze Bib!\, Kipperman/Josephson/Kopelevich\, & Oa
DESCRIPTION:Active Music Series presents: \n– Ze Bib! (Robert Lopez & Shanna Sordahl) \n– Kelley Kipperman\, Aurora Josephson and Katerina Kopelevich \n– Oa (Matt Davignon & Hugh Behm-Steinberg) \nOa creates experimental music from the sounds of language. Writer Hugh Behm-Steinberg and sound manipulator Matt Davignon have recorded various anecdotes\, conversations and sung pitches from their peers\, neighbors\, musicians and other writers. Performing either as a duo or collaborating with other sound artists\, they break down these elements with samplers and digital turntables\, then rebuild them into improvised musical passages and narratives. \nhttps://soundcloud.com/oa-is-hugh-and-matt
URL:https://uptownnightclub.com/event/active-music-series-ze-bib-kippermanjosephsonkopelevich-oa/
LOCATION:The Uptown Nightclub\, 1928 Telegraph Ave \, Oakland\, CA\, 94612\, United States
CATEGORIES:Avant Garde,Concerts,Experimental,Live Performance
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DTSTART;TZID=America/Los_Angeles:20161115T210000
DTEND;TZID=America/Los_Angeles:20161115T235500
DTSTAMP:20260429T003341
CREATED:20161105T062711Z
LAST-MODIFIED:20161105T062711Z
UID:1631-1479243600-1479254100@uptownnightclub.com
SUMMARY:Active Music Series: Lazarus Walks\, Barbedwire\, Danishta Rivero
DESCRIPTION:Active Music Series presents: \nLAZARUS WALKS is a collective comprised of improvisers Tom Weeks\, Alex Cohen\, and Tim DeCillis that strives to make spontaneous connections between their shared backgrounds in free jazz\, contemporary music\, death metal\, and anything else available\, through an approach that is both playful and ecstatic.  \nTom Weeks – alto saxophone \nAlex Cohen – guitar \nTim DeCillis – percussion \nPhillip Greenlief’s BARBEDWIRE \nEvelyn Davis – voice\, electronics \nGabby Fluke-Mogul – violin \nPhillip Greenlief – tenor saxophone \nComposed during an annual residency in maine\, BARBEDWIRE offers 37 graphic scores for trio that shape the direction of improvisation in a time-based system. in addition to charting how the improvisation shifts\, the scores have inserted *barbs*\, meant to incite musical accidents\, interruptions\, or breaks in the signal. \nDANISHTA RIVERO is a musician and sound artist based in Oakland. She is a vocalist who performs on electronics and the Hydrophonium\, a water-based electro-acoustic percussion instrument she created. Rivero performs solo as well as with her electro-acoustic duo Voicehandler with percussionist Jacob Felix Heule. She is also half of Las Sucias\, a feminist noise reggeatón duo with Alexandra Buschman. Previous projects include Blood Wedding\, a just intonation noise duo with Chuck Johnson. \nActive Music Series \nThe Uptown Nightclub \n1928 Telegraph\, Oakland \n9:00 PM doors. 9:30 PM music. \nSuggested donation $5-15 \nactivemusic.wordpress.com
URL:https://uptownnightclub.com/event/active-music-series-lazarus-walks-barbedwire-danishta-rivero/
LOCATION:The Uptown Nightclub\, 1928 Telegraph Ave \, Oakland\, CA\, 94612\, United States
CATEGORIES:Avant Garde,Concerts,Live Performance
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DTSTART;TZID=America/Los_Angeles:20161011T210000
DTEND;TZID=America/Los_Angeles:20161011T233000
DTSTAMP:20260429T003341
CREATED:20160928T220230Z
LAST-MODIFIED:20160928T220230Z
UID:1590-1476219600-1476228600@uptownnightclub.com
SUMMARY:Active Music Series presents: Aram Shelton's Marches\, duo B.\, Chris Duncan
DESCRIPTION:ACTIVE MUSIC SERIES presents: \nAram Shelton’s Marches \nduo B. \nChris Duncan \n9:00 PM doors. 9:30 PM music. \nSuggested donation $5-15 \n——————————————————————————-  \nAram Shelton’s Marches \nAram Shelton\, alto saxophone; Cory Wright\, tenor & baritone saxophone; Steve Blum\, keyboard; Doug Stuart\, bass; Geneva Harrison & Jordan Glenn\, drums. \nFormed Marches in 2009\, the music of Marches is inspired by Albert Ayler & Sun Ra\, and is guided by an aesthetic centered on simple tonal melodies and performers that bring energy to the music. It utilizes the instrumentation of the ensemble to create a distinct sound: combining the timbres of the saxophones and organ to make a lush and thick textured sound with intertwining parts propelled by the two drummer one bass rhythm section. The music allows the performers to represent their individuality through extended sections of improvisation that are framed by compositional structures. http://www.aramshelton.com/projects/marches/ \n———————————————————————- \nduo B.\, the San Francisco Bay Area improvising and composing ensemble of percussionist Jason Levis and bassist Lisa Mezzacappa\, is a musical think tank of grand schemes and impossible scenarios. For more than ten years\, the ensemble has developed and refined its singular approach to improvisation and composition\, through cross-disciplinary projects with film\, collaborations with improvising instrumentalists at home and abroad\, study of repertoire by like-minded composer-improvisers\, and immersion in the improvised-composed musical worlds of masters Wadada Leo Smith\, Anthony Braxton\, Cecil Taylor\, Henry Threadgill\, and others. \nhttp://www.lisamezzacappa.com/duo_band.html \n———————————————————————— \nCHRIS DUNCAN is an Oakland-based artist who employs repetition and accumulation as a basis for experiments in visual and sound based media. Often in flux between maximal and minimal\, Duncan’s work is a constant balancing act of positive or negative\, loud or quite\, solitary or participatory and tends to lead towards questions regarding perception\, experience and transcendence. Sonically\, Duncan creates open ended atmospheric pieces rooted in the accumulation of simple tones made from tuning forks and harmonicas combined with field recordings of natural phenomena. Duncan earned his BFA from the California College of Arts and Crafts and his Masters Degree in Art Practice from Stanford University. He has performed at Berkeley Art Museum\, Yerba Buena Center for the Arts\, Gray Area and Pasadena Art Center\, as well\, he has participated in the RE:Sound series and Soundwave. Chris is currently a resident at Headlands Center for the Arts.  \nhttp://christopherrobinduncan.virb.com/ \nhttps://soundcloud.com/chris-duncan-3/painting-v \nhttps://youtu.be/QcjCJCxiVnc \nActive Music Series \nThe Uptown Nightclub \n1928 Telegraph\, Oakland \n9:00 PM doors. 9:30 PM music. \nSuggested donation $5-15 \nactivemusic.wordpress.com
URL:https://uptownnightclub.com/event/active-music-series-presents-aram-sheltons-marches-duo-b-chris-duncan/
LOCATION:The Uptown Nightclub\, 1928 Telegraph Ave \, Oakland\, CA\, 94612\, United States
CATEGORIES:Avant Garde,Concerts,Live Performance
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